Spartacus (1960) Spartacus is a 1960 American epic historical drama film directed by Stanley Kubrick and based on the novel of the same name by Howard Fast. The life story of the historical figure Spartacus and the events of the Third Servile War were adapted by Dalton Trumbo as a screenplay. The film stars Kirk Douglas as rebellious slave Spartacus and Laurence Olivier as his foe, the Roman general and politician Marcus Licinius Crassus. Co-starring are Peter Ustinov (who won an Academy Award for Best Supporting Actor for his role as slave trader Lentulus Batiatus), John Gavin (as Julius Caesar), Jean Simmons, Charles Laughton, John Ireland, Herbert Lom, Woody Strode, Tony Curtis, John Dall and Charles McGraw. The film won four Oscars in all.
Some Like It Hot (1959) Some Like It Hot is an American comedy film, made in 1958 and released in 1959, which was directed by Billy Wilder and starred Marilyn Monroe, Tony Curtis, Jack Lemmon and George Raft. The supporting cast includes Joe E. Brown, Pat O’Brien and Nehemiah Persoff. The film is a remake by Wilder and I. A. L. Diamond of a 1935 French movie, Fanfare d’Amour, from the story by Robert Thoeren and Michael Logan, which was itself remade in 1951 by German director Kurt Hoffmann as Fanfaren der Liebe. Both the French and German films were without the gangsters that are integral to the plot of Some Like It Hot . Wilder’s working title for his film was Fanfares of Love, then Not Tonight, Josephine before he decided on Some Like It Hot as its release title.
Citizen Kane (1941) Citizen Kane is a 1941 American drama film, directed by and starring Orson Welles. The film is often considered the greatest of all time and is particularly praised for its innovative cinematography, music and narrative structure. Citizen Kane was Welles’ first feature film. The film was nominated for Academy Awards in nine categories; it won an Academy Award for Best Writing (Original Screenplay) by Herman Mankiewicz and Welles. It was released by RKO Pictures. The story is a film à clef that examines the life and legacy of Charles Foster Kane, played by Welles, a character based upon the American newspaper magnate William Randolph Hearst and Welles’ own life. Upon its release, Hearst prohibited mention of the film in any of his newspapers. Kane’s career in the publishing world is born of idealistic social service, but gradually evolves into a ruthless pursuit of power. Narrated principally through flashbacks, the story is revealed through the research of a newsreel reporter seeking to solve the mystery of the newspaper magnate’s dying word: “Rosebud.”
